Album review overview: Delights, Dragonknight and more

Dozens of new albums arrive at Maxazine’s editorial staff every week. There are way too many to listen to them all, let alone review them. It ensures that too many albums are left behind. And that’s a shame. That is why today we post an overview of albums that arrive at the editors in short reviews.

Dragonknight – Legions

Dragonknight is a new Finnish metal band formed by seasoned metal veterans. They create accessible power metal with beautiful melodies, catchy rhythms, impressive riffs, and classical elements—their music appeals to fans of bands like Blind Guardian and Sabaton. The instrumental track “Through Sea And Fire” opens almost like a fairy tale. The slightly classical music and choral singing become more dramatic, though it misses the warmth of true cinematic grandeur. The following vocal tracks include tempo and volume shifts, with a solid balance between metal and classical elements. Both lead vocals (Mikael Salo) and layered vocals are excellent. However, if the words ‘Majesty! General!’ in “The Imperator” and the sword sounds had been grittier, the battle would have felt more ‘real.’ Similarly, in “Pirates, Bloody Pirates!”, some shouts could have been heavier, yet the atmosphere is palpable. Most of these 11 tracks are (largely) rousing, with “Astarte Rise” and “Return To Atlantis” (featuring unexpected piano sounds) being calm exceptions. “Legions” is a delightful debut that invites you to turn up the volume. Its somewhat predictable structure makes it accessible. (Esther Kessel-Tamerus) (8/10) (Scarlet Records)

Cassio Vianna Jazz Orchestra – Vida

“Tocanda a Vida”—Touching life. It must be said: that Brazilian composer, pianist, and bandleader Cassio Vianna has delivered a lively album that fits within the traditions of grand big band productions. Now primarily a professor in the United States, Vianna still finds time to compose and record, with “Vida” as the impressive result. The opening track, “Tocanda A Vida,” sets the tone with Latin American swing, a theme that dominates the album. The tempo slows at times, as in “Sea-Song,” featuring delightful trumpet and guitar solos, and “Unwritten Letter.” However, most tracks are upbeat, showcasing the band at its best. The unleashed energy, driving rhythms, and irresistible grooves embody big band music at its finest. A standout is the bossa nova “Choro For My Boys,” instantly transporting you to Brazil. The spirit of the late Sergio Mendes has undoubtedly left its mark on Vianna’s mind, especially when his piano introduces a perfect call-and-response, followed by a charming Spanish samba guitar. Every ingredient needed to bring sunshine through the speakers is present. Though it’s only January, “Vida” makes it feel like summer. (Jeroen Mulder) (9/10) (Teal Creek Music)

IQ Zero – Toss A Coin

IQ Zero is a German punk-pop band formed by four school friends aiming to become the most successful and famous punk band in their small hometown of Bichl. With only about 2,000 residents, this mission was easily accomplished. Unfortunately, with their second album, “Toss A Coin,” they’re unlikely to go much further. The cliché pop-punk rock on “Toss A Coin” is well-executed but as predictable as a speed skating championship—you know a Dutch skater will win beforehand. Much work remains for IQ Zero to become the best punk rock band in Germany, Europe, or the world. The sound quality could also be improved. The drums sound dull and lack the ‘punch’ that the prominently mixed guitars possess. In summary, it’s a decent punk-pop album, but there are better albums to spend your money on. (Ad Keepers) (6/10) (Pauli Punker Records)

Delights – If Heaven Looks A Little Like This

With “If Heaven Looks A Little Like This,” Manchester-based band Delights delivers a debut album that immediately reveals its roots. The legacy of their hometown is evident in their sound, but they add their twist. Recorded in an improvised studio in Flavacourt, France, the album showcases a band unafraid to experiment. Opening track “Silk Skin” builds slowly to an energetic climax, while the single “Two Times Over” heads straight to the dance floor with infectious synthesizers and drums reminiscent of The Rapture and Hot Chip. Although influences from bands like The 1975 and Blossoms are occasionally prominent, particularly in the guitar parts, Delights manages to establish a distinct sound. The mix of funk, disco, and indie rock feels refreshing, though not all experiments succeed. The final track, “Adore Her,” closes the album with acoustic guitars, offering a fitting conclusion. This quintet demonstrates potential but still has room to grow in crafting a truly unique sound. Nonetheless, it’s a commendable debut that leaves listeners wanting more. (Jan Vranken) (7/10) (Modern Sky UK)