Jan Vranken – Échos Minimalistes
On his second album “Échos Minimalistes”, musician and producer Jan Vranken continues his quest to create a unique musical tranquillity. While his debut “Resonances Minimalistes” was still finding its way, this second album reveals a composer who has discovered his voice.
The opening track “Norge” introduces his world in a minimalist fashion. Notes fall like large raindrops, creating patterns that slowly merge. You notice your breathing slowing down as meditative sounds wash over you. “Selvransakelse” follows, enriching the music playfully through the speakers. The melody develops so naturally that you feel the piece writes itself. Vranken’s piano playing here is at its most intimate as if he’s playing in your living room, just for you.
“Delusions” seems to draw inspiration from Ludovico Einaudi’s “Fly”, while the homage to Japanese composer Ryuichi Sakamoto in the eponymous track is touching and respectful, if too brief. You hear the influence, but Vranken makes it his own, like a musical letter to a dear friend.
In “Isotherm”, you hear the first sunbeams breaking through the morning mist. The minimal electronics that appear occasionally add an extra dimension without becoming intrusive, only enhancing the serenity. “Grocken 2” is a heavier sequel to “Grocken’s Law” from his debut “Resonances Minimalistes”, though the reference point for “Bamboo part 2” remains unclear.
“Échos Minimalistes” is music to be experienced, preferably alone and undisturbed. An album that calls for a comfortable chair, a cup of tea, and time to settle in. And a turtleneck sweater. After several listens, you still discover new details, and small, unnoticed musical gestures. With “Échos Minimalistes”, Vranken hasn’t just created a collection of piano pieces, but a musical meditation that invites pause in our hectic world. Not overly complex, and thus quite accessible for those who find Philip Glass a bit too experimental. Impressive. (8/10) (Mango Melody Media)
