Album review overview: The Jesus Lizard, Tony Levin and more
Dozens of new albums arrive at Maxazine’s editorial staff every week. There are way too many to listen to them all, let alone review them. It ensures that too many albums are left behind. And that’s a shame. That is why today we post an overview of albums that arrive at the editors in short reviews.
Gnawa Diffusion – Legtime Difference
Gnawa Diffusion, the renowned Algerian band led by Amazigh, son of writer Kateb Yacine, surprises us with their new EP “Legtime Difference.” With just four tracks and a runtime of almost half an hour, the group demonstrates why they are so beloved in North Africa and France. The EP opens strongly with “Facteur Monnaie,” a track that effortlessly combines a catchy hook with captivating percussion and a driving bass line. “Bleu Blanc Gyrophare” builds up tension with Amazigh’s vocals before bursting into an irresistible dance beat. Gnawa Diffusion’s unique blend of Gnawa, reggae, and roots music, combined with multilingual lyrics, creates an undeniable groove inspired by all corners of the globe. While fans undoubtedly look forward to a full album, this EP is a tantalizing preview that leaves listeners craving more. (Jan Vranken) (8/10) (Gnawa Diffusion)
The Jesus Lizard – Rack
The Jesus Lizard is an American noise rock band that emerged in the late ’80s. A decade later, the band released several albums, establishing themselves as a leading name in the underground scene until they eventually disbanded. Now, this month sees the release of their first new album in 26 years, titled “Rack.” Initially, vocalist David Yow was hesitant to work on the album, but he was convinced by the demos sent by the other band members. The album is a burst of energy that matches its roughly 36-minute length perfectly. “Grind,” for example, features a fantastic, pounding riff. For fans and aficionados, The Jesus Lizard has finally returned and delivers a solid noise rock album with “Rack,” proving they haven’t lost their touch. (Rik Moors) (7/10) (Ipecac Records)
Charlotte Wessels – The Obsession
After leaving Delain, singer Charlotte Wessels released some solo material. However, with “The Obsession,” she takes her solo career to the next level. The tracks, which deal with themes like fear and obsessive thoughts, mix lighter sections with metal/heavy soundscapes. “Dopamine” (featuring Simone Simons of Epica) addresses the numbness caused by the “depression medication” SSRI, yet the song sounds anything but depressing. The chaotic parts of “The Exorcism” suit the subject of this heavier track. “Soulstice” has a great mix of dark and sultry, while tracks like “The Crying Room” blend light strings with dark, heavy metal. Charlotte’s voice forms a beautiful blend with Alissa White-Gluz in “Ode To The West Wind,” and there are some impressive background growls. The catchy elements and sometimes distorted vocals give the tracks a contemporary sound. The volume differences between lighter sections and the metal parts could have been more pronounced. “The Obsession” is a richly filled, sometimes bombastic album. (Esther Kessel-Tamerus) (8/10) (Napalm Records)
Ultra Vomit – Ultra Vomit et le Pouvoir de la Puissance
Ultra Vomit strikes again with their latest parodic masterpiece “Ultra Vomit et le Pouvoir de la Puissance.” While other parody bands like Steel Panther often miss the mark, this French quartet once again proves that they’re first and foremost just incredibly skilled musicians. The album cover alone is a hilarious spectacle, but the real fun begins when the music starts. From the grooving grind rock of “Le Coq” to the hard-hitting beats of “Toxoplasma gondii,” every track is a perfect mix of humour and musical prowess. “Doights de Metal” opens with a masterful intro, followed by a whirlwind of styles and parodies. Whether you’re laughing at the absurd lyrics or headbanging to the tight riffs, this album keeps on giving. Ultra Vomit proves once again that they’re the kings of metal parody. Their combination of technical perfection and hilarious humour makes “Ultra Vomit et le Pouvoir de la Puissance” a must-listen for any metal fan with a sense of self-irony. A therapy session for tormented souls wrapped in an explosive metal jacket. Worth it! (Jan Vranken) (8/10) (Verycords)
Tony Levin – Bringing it Down to the Bass
Tony Levin, famed as Peter Gabriel’s bassist and a sought-after session musician, proves his mastery once again with his seventh solo album. This autobiographical work, his first since 2007, is a must-have for fans of progressive rock and fusion. Levin’s versatility as a composer and bassist shines through in every track. From Steve Hunter’s fiery guitar solo on “Me and My Axe” to Mike Portnoy’s energetic drumming in “Boston Rocks” and Steve Gadd’s subtle rhythms in “Espressoville,” this album has it all. The all-star lineup, combined with superb production, results in an irresistible whole. Levin pulls out all the stops to celebrate his musical legacy, built over his impressive career with legends like King Crimson, John Lennon, and Paul Simon. This genre-defining masterpiece will undoubtedly grow as listeners take the time to absorb the music. An unmissable album that underscores Levin’s status as one of the greatest musicians of his generation—a timeless masterpiece. (Anton Dupont) (9/10) (T-Lev Inc)
