The Beths announce their new album, “Expert In A Dying Field”, out September 16th on Carpark Records, and share the new single/video, “Silence Is Golden.” On “Expert In A Dying Field”, Elizabeth Stokes’ songwriting positions her somewhere between being a novelist and a documentarian. The songs collected here are autobiographical, but they’re also character sketches of relationships – platonic, familial, romantic – and more importantly, their aftermaths. The shapes and ghosts left in absences. The question that hangs in the air: what do you do with how intimately versed you’ve become in a person, once they’re gone from your life?
The third LP from the New Zealand quartet houses 12 jewels of tight, guitar-heavy songs that worm their way into your head, an incandescent collision of power-pop and skuzz. With “Expert In A Dying Field”, The Beths wanted to make an album meant to be experienced live, for both the listeners and themselves. They wanted it to be fun – to hear, to play – despite the prickling anxiety throughout the lyrics and the fear of change and struggle to cope. “Expert In A Dying Field” is an extension of the same sonic palette the band has built across their catalog, pop hooks embedded in incisive indie rock.
Most of “Expert In A Dying Field” was recorded at guitarist Jonathan Pearce’s studio on Karangahape Road in Tāmaki Makaurau, Aotearoa (Auckland, New Zealand) – and sometimes in the building’s cavernous stairwell at 1 AM – toward the end of 2021, until they were interrupted by a four-month national lockdown. They traded notes remotely for months, songwriting from afar and fleshing out the arrangements alone, the first time they’d written together in such a way. The following February, The Beths left the country for the first time in more than two years to tour across the US, and simultaneously finish mixing the album on the road. That latter half felt more collaborative, with everyone on-hand to trade notes in real-time until it all culminated in a chaotic three-day studio mad-dash in Los Angeles. There, “Expert In A Dying Field” finally became the record they were hearing in their heads.
The result is a capsule of The Beths’ most electrifying and exciting output, a sonic spectrum. “Silence is Golden,” with its propulsive drum line and stop-start staccato of a guitar line winding up and down, is one of the band’s sharpest and most driving. “The song is about stress and anxiety manifesting as an intolerance to noise,” says Stokes. “Where each new sound makes you more and more stressed.”
There’s certain chaos across “Expert In A Dying Field”’s 12 tracks, the palpable joy of playing music with long-time friends colliding with the raw nerves of pain. Stokes strings it all together through her singular songwriting lens, earnest and self-effacing, zeroing in on the granules of doubt and how they snowball. Did I do the wrong thing? Or did you? And are we still good people at the end of it? She isn’t interested in villains, but instead interested in just telling the story. That insecurity and thoughtfulness, translated into universality and understanding, has been the guiding light of The Beths’ output since 2016. In the face of pain, there’s no dwelling on internal anguish; instead, through The Beths’ music, our shortcomings are met with acceptance. And “Expert In A Dying Field” is the most tactile that tenderness has been.