Dozens of new albums arrive at Maxazine’s editorial staff every week. There are way too many to listen to them all, let alone review them. It ensures that
Dozens of new albums arrive at Maxazine’s editorial staff every week. There are way too many to listen to them all, let alone review them. It ensures that
Dozens of new albums arrive at Maxazine’s editorial staff every week. There are too many to listen to, let alone review them. It ensures that too many albums
Dozens of new albums arrive at Maxazine’s editorial staff every week. There are way too many to listen to them all, let alone review them. It ensures that
Derek Hagan’s latest offering as Rockidle arrives with the defiant title “Not the Leftovers!” – a statement that immediately sets expectations for an artist who has something to
David Powell’s latest offering, “Touch Wood,” presents a fascinating meditation on transformation, ancestry, and the liminal spaces between consciousness and dream. The English-born, Australian-raised, Qatar-based artist has crafted
Dozens of new albums arrive at Maxazine’s editorial staff every week. There are way too many to listen to them all, let alone review them. It ensures that
Dozens of new albums arrive at Maxazine’s editorial staff every week. There are too many to listen to, let alone review them. It ensures that too many albums
Lyle Hutchins chooses the modest route on his debut album “Flatlander”, and that pays off surprisingly well. The New Hampshire musician has created an album that sounds like
With her second album, “Gilded & Silver,” Heather Ward emerges as a mature jazz artist who has found her unique voice. The Canadian-born, Seattle-based vocalist makes a compelling
