Dozens of new albums arrive at Maxazine’s editorial staff every week. There are way too many to listen to them all, let alone review them. It ensures that
Dozens of new albums arrive at Maxazine’s editorial staff every week. There are way too many to listen to them all, let alone review them. It ensures that
Dozens of new albums arrive at Maxazine’s editorial staff every week. There are way too many to listen to them all, let alone review them. It ensures that
Dozens of new albums arrive at Maxazine’s editorial staff every week. There are way too many to listen to them all, let alone review them. It ensures that
“Acoustic Niche Separation”, Impostor’s seventh album, is a true Cyberfunk classic in the making. The multi-instrumentalist has perfected the ability to seamlessly blend electronic music with elements of
The second collaboration between Messiah’el Bey and Rocío del Pozo, “The Karma of Trust,” is a fascinating musical journey that transcends genres and cultural boundaries. After their successful
Dozens of new albums arrive at Maxazine’s editorial staff every week. There are way too many to listen to them all, let alone review them. It ensures that
Dozens of new albums arrive at Maxazine’s editorial staff every week. There are way too many to listen to them all, let alone review them. It ensures that
On his second album “Échos Minimalistes”, musician and producer Jan Vranken continues his quest to create a unique musical tranquillity. While his debut “Resonances Minimalistes” was still finding
In the thirtieth year of their existence, the Scottish post-rock formation Mogwai returns with “The Bad Fire,” an album whose title is derived from Glaswegian dialect for ‘hell.’
