Michael Kiwanuka – Small Changes
Week after week, Rob Stenders, then a DJ on Dutch radio, set aside ten minutes each day on his show “Bonanza” for one track by a then-unknown soul singer from London. That one track needed to get into the Top 2000. It succeeded. “Cold Little Heart” stormed into the list in 2017, landing at number 750. For many, this was the first introduction to Michael Kiwanuka.
Several albums later, “Cold Little Heart” remains memorable as the opening track of “Love and Hate,” which was followed by “KIWANUKA.” With this album, the British artist won the English Mercury Prize in 2020 for Best Album and even snagged a Grammy nomination. “KIWANUKA” was produced by Danger Mouse and Inflo, and following the adage ‘never change a winning team,’ the duo is once again behind the production of this fourth album, titled “Small Changes.” As the title subtly suggests, this album does not aim to break from past trends.
If there were any doubt about the album’s direction, the opening track, “Floating Parade,” quickly dispels it. From the very first moment, a familiar sound fills the air: a rich soul vibe that feels like an undiscovered gem from the sixties. “Small Changes” follows the successful path set by Kiwanuka’s previous albums. Expect the signature and diverse blend of soul, folk, and a hint of jazz; that’s exactly what you’ll find. Kiwanuka is an artist who consistently delivers, never disappointing but also never truly surprising. And there’s nothing wrong with that.
Kiwanuka is that familiar, comfortable armchair perfectly molded to you, inviting you to sink into it and drift into a lazy afternoon, far from daily cares, daydreaming in a permanent state of bliss. Kiwanuka is the sultry summer evening, hand in hand with your loved one, watching the setting sun as the sky glows with the colors of love. Kiwanuka embraces you with a warmth that feels both intimate and safe, much like the greats of the past—worthy heirs to Sam, Otis, and Ben.
While a certain level of risk-avoidance is undeniable on “Small Changes,” it’s unlikely that Kiwanuka will attract a new audience with this album. But fans will, once again, cherish and hold this record dear. One slight downside is that the album lacks a true standout track with the lasting impact of “Cold Little Heart.” Perhaps “Lowdown” could fill that role. The song, which is in two parts, features Kiwanuka questioning himself and the choices he’s made so far: ‘I’ve been wrong half the time/Gotta wonder how I survived/I’ve been losing my touch.’ The song then transitions into an instrumental part with a similar vibe to “Cold Little Heart,” which also began as an instrumental.
Although this album avoids risks, it never feels like it’s treading well-worn paths. At no point does it seem as if the songwriter has simply taken the easy route by copying a successful formula. The songs are far too deep for that, resonating deeply with listeners again and again, thanks in no small part to the lyrics and that glorious voice, which occasionally has just the right amount of raw edge.
The title “Small Changes” couldn’t have been better chosen. These are indeed small changes, with Michael Kiwanuka’s distinctive sound left wonderfully intact. Unaltered and just as good. Indeed. (8/10) (Polydor/Universal Music)
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