Album review overview: Tones and I, Justin Nozuka and more

Dozens of new albums arrive at Maxazine’s editorial staff every week. There are way too many to listen to them all, let alone review them. It ensures that too many albums are left behind. And that’s a shame. That is why today we post an overview of albums that arrive at the editors in short reviews.

Tones and I – Beautifully Ordinary

Toni Watson, better known as Tones and I, surprises with her second studio album, “Beautifully Ordinary”. This work marks a clear evolution from her debut album “Welcome To The Madhouse” from 2021. While her debut was filled with exaggerated tracks, “Beautifully Ordinary” reveals a deeper, more vulnerable side of Tones and I. The album opens strongly with “To Be Loved”, a raw and sincere exploration of Watson’s past, infused with themes of loneliness and a desire for acceptance. The title track, “Dance With Me”, highlights her growth through the shift from the request “dance for me” to an invitation to dance together. This small difference reflects her artistic development and self-confidence. Although some tracks may feel a bit long-winded and her vocal style may still be a challenge for some, “Beautifully Ordinary” shows a clear improvement in production and songwriting. Watson’s authentic approach and emotional depth elevate the album, and it’s clear she enjoyed making it. A successful second phase in her career. (Norman van den Wildenberg) (7/10) (Bad Batch Records)

Dune Rats – If It Sucks, Turn It Up

The guys from Down Under finally make a return after a period of silence. “If It Sucks, Turn It Up” is their fifth studio album. There hasn’t been much change in terms of lyrics and music. The lyrics still contain plenty of humor, and the music fits into the ’90s Punk-Pop’ category. “If It Sucks, Turn It Up” features ten short punk-pop tracks in the style of bands like Blink 182, The Offspring, and Green Day. Occasionally, we hear some Clash influences, but originality is hard to find. The best track is “Solar Eyes”, which proves that Dune Rats can also write songs that show some originality. It has little to do with punk and is more comparable to an artist like Tame Impala. (Ad Keepers) (6/10) (Ratbag Records/BMG)

Justin Nozuka – CI

Justin Nozuka’s EP “CI”, consisting of only seven tracks, falls short of being considered a full album. The EP heavily relies on various effects, which is likely a deliberate stylistic choice, but the excessive use feels overdone. If the effects are meant to mask the rawness of the music, it is understandable, but it suggests that Nozuka is still honing his craft. A standout track, “Orange Lampshade”, shows potential but ultimately falls short in execution and leaves much to be desired. On the other hand, “Chlorine” is a beautiful song that evokes the desire to hear it performed by someone like Jalen Ngonda, indicating that the songwriting is strong, even if the execution doesn’t fully deliver. Overall, the EP shows promise, but there is still clear room for improvement. With more refinement and perhaps a more focused approach, Nozuka could build on the foundation laid here. As it stands, “CI” is a decent attempt deserving of a 7/10. (Jan Vranken) (7/10) (Post 1988)

Lost Lonely Boys – Resurrection

“Resurrection”, the latest album from Lost Lonely Boys, lives up to its title. This is their first release since the terrible accident in which guitarist Henry Garza fell off the stage in 2013 and sustained a severe back injury. And for their first album in ten years, it certainly does not disappoint. The album offers a wonderfully old-fashioned and well-executed mix of pop rock, played by musicians who know exactly what they’re doing. The opener “Wish You Would” is a great track that will undoubtedly perform well live. The vocals are strong, and the song sounds as American as it gets. “I Let You Think That You Do” would not be out of place on a successful ZZ Top album, with its robust riffs and catchy melody. The album continues strongly, with one enjoyable track after another. The only problem is that you constantly feel like you’ve heard it all before. There is nothing truly surprising, but it doesn’t matter much. This is a delightful album for anyone who loves blues rock and pop rock. Los Lonely Boys prove that even after ten years away, they still know how to make a good record. (Anton Dupont) (8/10) (Shelter Music Group)

Orville Peck – Stampede

With his new album “Stampede”, Orville Peck once again demonstrates his mastery in combining genres and styles while remaining true to his unique sound. This time he puts on a dazzling show by collaborating with a colorful array of country and pop legends. And what a celebration it has become! “Stampede” starts strong with “Cowboys Are Frequently Secretly Fond of Each Other”, a duet with none other than Willie Nelson. Peck and Nelson complement each other seamlessly, as if they have been performing together for years. The irony and sensitivity conveyed by both voices give the track a special charge. Then there is “How Far Will We Take It” with Noah Cyrus, a track reminiscent of a road trip through the desert, where the sun always seems to be just below the horizon. The chemistry between Peck and Cyrus is palpable, and you can’t help but sing along – whether you’re in the car or not. As the cherry on top, there is the duet with Elton John, a remake of “Saturday Night’s Alright (For Fighting)”. It is just as extravagant and flamboyant as you would expect from this combination. The track is bursting with energy and seems made for partying all night long. But “Stampede” is not just a string of hits. Peck also tackles serious subjects, such as in the duet with Margo Price, “You’re An Asshole, I Can’t Stand You, And I Want A Divorce”. The title says it all – this is country as it’s meant to be: raw, honest, and with a hefty wink. And then there’s the collaboration with Diplo and Kylie Minogue, “Midnight Ride”. This track brings a surprising mix of danceable beats and melancholic melodies. It is this versatility that makes “Stampede” so compelling; there is something for everyone. Orville Peck manages to bring out the best in himself and his guests on “Stampede”. The album feels like a grand, colorful circus where you move from one amazement to another. It’s not always groundbreaking, but it is exceptionally well done. For fans of both classic country and modern pop, “Stampede” is a must-have. And with a rating of 8/10, this is an album you definitely don’t want to miss. (Jan Vranken) (8/10) (Warner Records Inc)