10cc Delights Fans at Sony Hall with Timeless Hits and Electric Performance

Photo’s (c) Alex O’Brien

It’s a bustling, warm, July night in Manhattan’s Times Square. Sony Hall is honoured to host the legendary English rock band, 10cc. Known for their progressive, soft, and pop rock blend, the group originally consisted of four talented musicians – Graham Gouldman, Eric Stewart, Kevin Godley, and Lol Creme. Over the years, 10cc has evolved, but they’ve maintained their distinctive artistic rock edge. The second show of the first tour in the USA in 30 years…

The night started with a strong opening act, Robin Taylor Zander, son of Robin Zander, the lead vocalist from Cheap Trick. Talent runs in the family, as Robin Taylor serenaded the crowd with his guitar in hand and a Boss of the Plains hat atop his head. The room was filled with deep red, low-lit hues, drawing all eyes to the stage. It was a full house, and Robin Taylor, on tour to debut his new LP, The Distance, captivated the audience. As a nod to his heritage, he sneaked in a cheeky rendition of “I Want You To Want Me,” with the audience enthusiastically singing along.

When 10cc finally took the stage, they opened with “The Second Sitting for the Last Supper” from their 1975 album, “The Original Soundtrack”. The setlist was a masterful blend of their classic hits and newer material, showcasing their enduring appeal. Their stage presence was energetic, witty, and playful. The audience, a mix of ages and generations, vibrated as one, with everyone toe-tapping, head-nodding, clapping, and cheering to each song. Smiles were ubiquitous. The sound quality was impeccable—clear, crisp, and perfectly balanced in volume.

Following the opening track, the band played “Art for Art’s Sake,” setting the tone for a night filled with memorable performances. “Life Is a Minestrone” and “Good Morning Judge” had the crowd swaying, while “The Dean and I” and “Old Wild Men” offered nostalgic reflections. The quirky “Clockwork Creep” added a unique twist, and “Feel the Benefit” showcased their musical prowess.

Midway through the show, they performed “The Wall Street Shuffle,” a crowd favourite, followed by Graham Gouldman’s solo piece “Floating in Heaven.” The classic “The Things We Do for Love” was met with a chorus of voices singing along, and “Silly Love” maintained the upbeat momentum. “I’m Mandy Fly Me” and “I’m Not in Love” provided emotional highlights, leading into the ever-popular “Dreadlock Holiday.”

For the encore, the band returned with “Donna,” a fitting choice as their debut single from 1972, and closed with the energetic “Rubber Bullets.” Each song was met with roaring applause, cementing the night’s success.

Adding to the night’s charm, at the merchandise table was none other than Jack Douglas, the renowned producer behind John Lennon, Aerosmith, and Cheap Trick, among others. With 40 gold and platinum records under his belt, Douglas was a friendly and approachable presence. Fans could thank him for shaping the music taste passed down from their parents, which they now proudly blast in their vintage cars.

The night was a testament to 10cc’s enduring legacy and their ability to captivate audiences across generations.

Photo’s (c) Alex O’Brien

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