Album review overview: Anvil, Blur and more

Dozens of new albums arrive at Maxazine’s editorial staff every week. There are way too many to listen to them all, let alone review them. It ensures that too many albums are left behind. And that’s a shame. That is why today we post an overview of albums that arrive at the editors in short reviews.

Anvil – One And Only

Anvil needs no further introduction. Every metalhead knows this amiable Canadian band. In the early ’80s, Anvil released three excellent albums that earned them a cult status. Successful and world-famous bands like Metallica and Megadeth have cited Anvil as an inspiration and influence. However, due to mismanagement and poor choices, they never quite broke through and faded somewhat into obscurity. This is all depicted in the Anvil film “The Story Of Anvil” released in 2009. The documentary rekindled interest in the band, leading Anvil to release an album every two to three years since then. Their love for metal and the joy of playing is evident in every album, including this 20th(!) album “One And Only.” However, it is a fact that Anvil has been releasing essentially the same album for the past 20 years. “One And Only” features two or three standout tracks like “Dead Man Shoes” and “Fight For Your Rights.” The remaining tracks, however, are quite mediocre. Anvil can be seen as the AC/DC of metal. Fans will not be surprised. Respect for this band that has existed longer than many readers of this article. (Ad Keepers) (7/10) (AFM)

Blur – Live At Wembley Stadium

Blur’s new album, “Live At Wembley Stadium,” is a remarkable time capsule that captures the essence of the band as we know and appreciate them. Blur, a pillar of British pop music, has left a lasting impression on the music scene with its influential sound and iconic hits. Their role in the ’90s Britpop movement is undeniable, with classics like “Parklife” and “Song 2” inspiring generations. Unfortunately, the band’s resurgence seems limited to just one new studio album and this live album. This recording offers a beautiful collection of both the big hits and beloved deep cuts, making it a valuable addition for diehard fans. However, the question remains whether “Live At Wembley Stadium” is more than just a piece of merchandise, a dessert for fans who attended the reunion shows. The album offers little new and will be mostly appreciated by those who want to relive the energy and atmosphere of the live shows. For many, the album will feel redundant, merely a souvenir for those who were there. Nevertheless, it contributes to Blur’s legacy and offers a final chance to sing along to “Parklife” and “Song 2” in their live glory. (Jan Vranken) (6/10) (Blur under exclusive license to Parlophone)

Slowly Rolling Camera – Silver Shadow

Slowly Rolling Camera from Cardiff has further refined their unique mix of jazz, cinematic depth, and electronic flair with “Silver Shadow.” This album, inspired by film montages, revolves around a fictional protagonist, which comes through strongly in compact and emotionally consistent tracks. The core members, supplemented by talented musicians like Jasper Høiby and Verneri Pohjola, provide a rich and layered listening experience. After a decade of musical innovation, the band continues to evolve. From their raw debut in 2014 to the refined productions of today, “Silver Shadow” affirms their spirit and celebrates their impressive success with over 20 million streams. This sixth album appeals to both existing fans and new listeners, adding a new layer to their legacy. A well-deserved 8/10. (Elodie Renard) (8/10) (Edition Records)

Charley Crockett – Visions Of Dallas

Charley Crockett’s latest album “Visions Of Dallas,” a follow-up to “$10 Cowboy” released earlier this year, delivers exactly what the title and cover suggest: clichéd country music. While country music is more popular than ever, Crockett unfortunately adds little to this with his simplistic, quint-based rhythmic kitsch. “Visions Of Dallas” lacks the depth and refinement you would expect from a contemporary country record. His voice, far from the best, exacerbates the problem. The songs are simplistic and lack the emotional weight and vocal originality that often make the genre so beloved. Charley Crockett may be capitalizing on the current country hype, but his music seems more suited to local fairs than major stages. His contribution to the genre is too dull and superficial to leave a lasting impression. Thank you. (Jan Vranken) (5/10) (Son of Davy)

Yemi Alade – Rebel Queen

Yemi Alade, the Nigerian Afro-pop singer and songwriter who broke through in 2009 with her victory on the Peak Talent Show, has delivered yet another masterpiece with her latest album “Rebel Queen.” Alade, from Abia in southeastern Nigeria, combined her musical ambitions with studies at the University of Lagos. Following her success with Peak, she released her debut single “Fimisile” and gained international fame with the hit “Johnny” in 2013. This track was featured on her debut album “King Of Queens” from 2014, a mix of reggae, R&B, rap, and Afro-pop. Her second album “Mama Africa” from 2016 and the subsequent EP “Mama Afrique” from 2017 showcased her versatility. “Rebel Queen” is a party from start to finish. Listen to the delightful beat of “Tomorrow,” a track guaranteed to bring a smile to your face, thanks in part to the fantastic backing vocals. Every track on this album hits the mark. The music seamlessly shifts from Afro-pop to R&B and highlife, offering an eclectic mix with a spicy flavour. I can’t point to a weak track on this album. It’s a true party record. The song “African Woman,” a duet with none other than Angelique Kidjo, has already made waves internationally. The duet with Ziggy Marley, “Peace & Love,” is also a wonderfully sultry summer tune. Yemi Alade confirms with “Rebel Queen” her status as the greatest African superstar. She surpasses herself and delivers an album that highlights not only her talent but also her versatility and creativity. This is an album you must hear and that will undoubtedly make you dance. (Elodie Renard) (8/10) (Effyzie Music)