At Maxazine, we don’t often delve into classical music, but every so often, an album comes along that demands special attention. Wolfgang Muthspiel’s new album, “Etudes, Quietudes,” by
Dozens of new albums arrive at Maxazine’s editorial staff every week. There are way too many to listen to them all, let alone review them. It ensures that
Dozens of new albums arrive at Maxazine’s editorial staff every week. There are way too many to listen to them all, let alone review them. It ensures that
In the world of electronic music, Underworld has been synonymous with innovation and evolution for decades. The British group, rooted in the early ’80s, has consistently reinvented itself
With her new album, “Solo,” Louane takes a decisive step toward modern, commercial pop. The singer, known from The Voice and her role in The Bélier Family, now
In the French Alps, where the silence between mountain peaks is almost palpable, Félicia Atkinson has crafted her most ambitious work to date. With “Space as an Instrument,”
Dozens of new albums arrive at Maxazine’s editorial staff every week. There are way too many to listen to them all, let alone review them. It ensures that
Dozens of new albums arrive at Maxazine’s editorial staff every week. There are way too many to listen to them all, let alone review them. It ensures that
Let’s be honest: some bands bring out the best in themselves in a studio, while others are best experienced live. The chance that someone would name Tears for
In the ever-evolving landscape of contemporary jazz, few musicians can orchestrate cultural cross-pollinations as masterfully as Avishai Cohen. After his Latin-inspired collaboration with Abraham Rodriguez Jr. on “Iroko,”
