The Simpletons – Let Love Wait
“Let Love Wait” is the new album by The Simpletons, an EP that will certainly appeal to lovers of solid indie rock. Set for release on April 24, 2025, six tracks breathe a delightfully nostalgic atmosphere reminiscent of R.E.M. and the B-52’s in their heyday, but with a contemporary twist that gives the band its own identity.
The first notes of the title track “Let Love Wait,” make you feel the influence of jangling guitars and the melodic approach that was so characteristic of R.E.M.’s best moments during their IRS period. The combined vocals of Kari Campbell and Brian McMurtry evokes the unique chemistry of Kate Pierson and Fred Schneider, but without the campiness that sometimes characterized the B-52’s. An unique characteristic of the band is that it has three lead singers, which lends a versatility for their genre- along with opportunity for some beautiful harmonies. Kari’s vocal style evokes soulish shades, Nathan’s appears as a weather-worn rasp, while Brian’s contrasts with a smooth caramel-like tone in tenor registers. It’s a unique blend of voices that lets the band paint the canvas in interesting ways.
After their 2024 single “Cold in the Daylight,” The Simpletons demonstrate they’ve taken a significant step forward. The production is tight and clear, with enough space for the instruments to breathe. Brian McMurtry’s guitar parts are infused with a mix of jangle pop and post-punk elements that perfectly complement Scott McTaggart’s rhythmic foundation.
“God Knows” might be the highlight of the EP, featuring a chorus that sticks with you and a build-up reminiscent of R.E.M.’s “Document” era. Brian McMurtry sings the verses, while Nathan Fynn takes the lead on the choruses. Nathan’s voice carries an emotional urgency here that recalls Michael Stipe, though less cryptic and more direct. It’s no coincidence that the band has been guided by Marty Willson-Piper, known from The Church. His influence is particularly noticeable in the psychedelic undertones of “Let Me Die With A Smile On My Face,” where the guitars float and twist in a soundscape reminiscent of “Starfish.”
The addition of Kari Campbell to the lineup has significantly enriched The Simpletons’ sound. Her keyboards add depth to the arrangements, especially in the melancholic “What I Said,” while her vocals form a beautiful contrast with Brian McMurtry’s voice, with whom she occasionally trades off lead parts.
The solid rhythm section in “Fade” has that typical danceable element that characterized the B-52’s, but with a darker undertone reminiscent of early R.E.M. tracks like “Carnival of Sorts.” The closing track “Hold Fast” is an appropriate finale that brings together all the band’s strengths in an optimistic conclusion.
Although the EP is clearly indebted to influences from the ’80s, the band manages to avoid becoming merely a nostalgic exercise. There’s enough contemporary energy and fresh ideas to make “Let Love Wait” relevant for 2025.
For fans of both classic college rock and contemporary indie, this is a must-listen. With this EP, The Simpletons have proven that they’ve come back stronger after their period of inactivity and are ready to claim their place in today’s music landscape. These six tracks leave us wanting more and hoping we won’t have to wait long for a full-length album. (8/10) (Self produced)
