Joe Wilkinson – Fences
Joe Wilkinson returns with “Fences,” an album that captures his journey from Poughkeepsie to Los Angeles through ten heartfelt Americana compositions. Produced by Steve Watson at Watson House Studios, this collection showcases an artist who has distilled his life experiences into pure musical emotion.
The album opens with “Travelin’ On,” a track that immediately establishes Wilkinson’s contemplative approach to songwriting. His vocals, warm and weathered, are supported by an ensemble of seasoned musicians who each leave their mark without overwhelming the intimacy of these songs. Fans of Leland Sklar, arguably the biggest name on the album, might need to adjust their expectations – the legendary bassist serves Wilkinson’s vision faithfully, keeping his distinctive style more understated than usual. His bass lines provide a solid, unobtrusive foundation, while John Ginty’s Hammond and piano add subtle layers that enhance the emotional depth of each composition.
The title track “Fences” serves as the emotional centrepiece of the record. Here, Wilkinson demonstrates his ability to capture universal themes of separation and connection through vivid lyrics that resonate without ever becoming heavy-handed. Buck Reid’s pedal steel guitar adds a melancholic beauty that perfectly complements Wilkinson’s reflective mood.
Songs like “Lost Until I’m Found” and “Sometimes We Need Love” showcase the versatility within Wilkinson’s Americana palette. The former explores themes of self-reflection with a driving beat from Fredo Ortiz, while the latter takes a more tender, almost gospel-influenced approach. This dynamic keeps the album engaging throughout its full duration.
What sets “Fences” apart from much contemporary Americana is the authenticity that permeates every note. Wilkinson’s history as a touring musician with Neal Casal has shaped him, but here he stands completely in his light. His songwriting has reached a maturity that only comes from years of living and observing.
Steve Watson’s production deserves special mention. He has created a sound that feels both modern and timeless, giving each instrument space to breathe without losing cohesion. The string arrangements, performed by Watson himself, add elegant touches without ever becoming intrusive.
“Most of the Time” and “It’s Too Late” form a powerful one-two punch in the album’s final stretch. The former is a meditation on acceptance and change, while the latter carries a more urgent, almost desperate energy that contrasts with the album’s predominantly thoughtful tone.
The record concludes with “Last Breath of Life,” a track that serves as both a farewell and a promise. Wilkinson’s ability to blend hope and melancholy without succumbing to sentimentality demonstrates a songwriter at the peak of his powers.
“Fences” is the kind of album that reveals its worth through repeated listening. It demands attention and rewards it with emotional depth and musical sophistication. For lovers of authentic Americana seeking songs with substance, this is an essential addition. Wilkinson has proven that maturity and experience remain the finest ingredients for timeless music. (7/10) (Watson House Studios)
