Album review overview: Doro, Flotsam & Jetsam and more
Dozens of new albums arrive at Maxazine’s editorial staff every week. There are way too many to listen to them all, let alone review them. It ensures that too many albums are left behind. And that’s a shame. That is why today we post an overview of albums that arrive at the editors in short reviews.
Daryll-Ann – Spring
After twenty years of silence, Daryll-Ann is back with “Spring,” an album that revives the Dutch indie rock scene. The band, known for their melodic and captivating sound, effortlessly picks up where they left off as if they had never been away. “Spring” offers a varied mix of subdued folk, raucous garage rock, and dreamy alt-country. Tracks like “Everything I Knew” and “Forever Amber” showcase the familiar Daryll-Ann formula: catchy melodies with a touch of melancholy. The uptempo “Life Can Be Amazing” stands out as a potential live favourite, while the title track “Spring” sets a languid, jazzy mood. The chemistry between songwriters Jelle Paulusma and Anne Soldaat is still palpable, with their characteristic vocals and guitar work blending seamlessly. The rhythm section of Jeroen Kleijn, Jeroen Vos, and Coen Paulusma provides a solid foundation. Although “Spring” sounds familiar, it’s not a copy of their earlier work. The band sounds mature, with some stronger tones than before. The joy is evident, resulting in a fresh yet recognizable sound. “Spring” is a welcome return from one of the Netherlands’ most beloved indie bands, proving that quality is timeless. (Norman van den Wildenberg) (7/10) (Excelsior Recordings)
Doro – Anthems For The Champion
On September 14, the third and final boxing match took place between Regina Halmich and TV star Stefan Raab. In 2001 and 2007, the two had also faced each other, and Regina Halmich won both times. As a boxing fan and friend of Regina, Doro was allowed to sing the anthem for Regina. Doro’s specially written song for this occasion is titled “Justice For The Queen” and serves as the opening track of “Anthems For The Champion.” Except for this track, everything on this album has been released before on previous Doro albums, albeit in different versions or mixes. The classic “All We Are” is also featured as a tribute to Regina the Queen. Both ladies are, of course, the ‘Queens’ in their respective fields, and that gives this album its legitimacy. However, this does not change the fact that this album is a rather redundant release for the average rock fan. It’s only for the die-hard fans who want everything by Doro. (Ad Keepers) (4/10) (Rare Diamond Productions)
The Alchemist – The Genuine Articulate
The Alchemist, born Alan Maman in Beverly Hills, has developed since the early ’90s into one of the most respected producers in the hip-hop world. His latest EP, following the “Flying High” series, once again showcases his versatility and craftsmanship. The album offers a mix of The Alchemist’s signature production style—filled with soulful samples and sometimes drumless arrangements—and his own vocal contributions, which provide a refreshing contrast to his earlier work. Collaborations with established names like ScHoolboy Q, Action Bronson, and Conway the Machine enrich the project. Thematically, the EP explores personal struggles, loyalty within the music scene, and reflections on The Alchemist’s career. Tracks like “Ferraris in the Rain” and “Seasons Change” demonstrate his ability to create atmospheric, almost cinematic soundscapes. Although not groundbreaking, this EP confirms The Alchemist’s consistent quality and relevance in hip-hop. A solid addition to his extensive discography. (Elodie Renard) (7/10) (ALC)
Jaz Karis – Safe Flight
Jaz Karis’ third album “Safe Flight” showcases the artist’s growth within the competitive London jazz, soul, and hip-hop scene. Following in the footsteps of groundbreaking acts like Sault and Cleo Sol, Karis finds her place in what can be considered the ‘premier league’ of this vibrant musical landscape. Under the production guidance of The Prodigal Sons, inspired by the legendary Inflo, Karis delivers a collection of tracks that demonstrate her evolving artistry. The album bridges the gap between party-ready songs and intimate listening experiences, making it versatile. Standouts like “Tequila,” featuring rapper Reekado Banks, illustrate the album’s appeal. Collaborations with Tone Stith and Mahalia add depth and variety to the project. Karis’ ability to create soulful, modern R&B is evident throughout, blending elements of reggae, Afrobeats, and amapiano into her sound palette. “Safe Flight” positions Jaz Karis as an artist to watch and confirms her place in the evolving British R&B scene. While the album doesn’t reach the heights of some of her more established contemporaries, it marks a significant step forward in her career and offers plenty for both old fans and new listeners to enjoy. (Jan Vranken) (7/10) (Carmen Inc LTD)
Flotsam & Jetsam – I Am The Weapon
Flotsam & Jetsam needs no introduction. For over 40 years, this American melodic thrash band has been around, and like clockwork, they faithfully release a new album, albeit with varying success. Their first two albums, “Doomsday For The Deceiver,” where bassist Jason Newsted was responsible for all lyrics before leaving to replace the late Cliff Burton in Metallica, and “No Place For Disgrace,” are absolute classics. Their 16th album, “I Am The Weapon,” will not reach that level. Nevertheless, “I Am The Weapon” is an excellent album and ranks among the better albums Flotsam & Jetsam has recently released. Except for the somewhat childish lyrics, everything about this album is spot on. Good production, excellent guitar work, a stellar Ken Mary on drums, and the highly underrated singer Eric A.K. still sounds as great as in his best years. The only thing missing is a power ballad like “Escape From Within” or “Better Off Dead,” something Flotsam & Jetsam excels at, but only a nitpicker would notice this. Any thrash enthusiast can purchase “I Am The Weapon” with confidence. (Ad Keepers) (8/10) (AFM)
