The Offspring back in Poland after many years
The Offspring returned to Poland, and they did it with a style that younger bands can envy. As
part of their “Supercharged Worldwide in ’25” tour, the band played at the Atlas Arena in Łódź.
The Canadian band Simple Plan performed before the evening’s headliner.
On Sunday evening, October 26, 2025, the Atlas Arena in Łódź was transformed into the centre of Polish punk rock as the Californian band brought their “Supercharged Worldwide in ’25” tour to an enthusiastic crowd. The venue, packed to capacity with devoted fans spanning multiple generations, buzzed with anticipation long before the first note was played. Canadian pop punk veterans Simple Plan set the tone for the evening as the opening act, warming up the audience and building the excitement.
From the moment The Offspring hit the stage, it was clear this would be a memorable concert. The band, with decades of experience behind them and nothing left to prove, attacked their set with intensity and a hunger that belied their veteran status. The opening chords of “Come Out and Play” ignited the venue, sending waves of energy through the packed arena that could be felt from the front row to the furthest seats. The crowd responded in kind, singing every word with growing fervour as the night progressed, their voices rising to meet the band’s performance.
The setlist was carefully constructed, weaving together the band’s iconic anthems with fresh material from their latest album, “Supercharged,” released in 2024. Early in the show, classics like “All I Want” and “Want You Bad” had the audience singing along, proving that these songs have lost none of their power over the years. Frontman Dexter Holland commanded the stage with his characteristic energy, his voice as sharp and powerful as ever, while guitarist Noodles delivered the riffs that have defined the band’s sound for over three decades.
The middle section of the concert showcased the band’s versatility and willingness to take risks. “Bad Habit” brought the trademark Offspring aggression, followed by an unexpected but interesting series of covers that demonstrated the band’s wide-ranging influences. Their rendition of Black Sabbath’s “Electric Funeral” seamlessly blended into “Paranoid” was a heavy metal exercise, while Ozzy Osbourne’s “Crazy Train” had the entire arena jumping in unison. Perhaps most surprising was their take on Edvard Grieg’s classical piece “In the Hall of the Mountain King,” which the band transformed into a punk rock assault that bridged the gap between high culture and street rebellion. The Ramones cover “I Wanna Be Sedated” served as a fitting homage to punk rock’s founding fathers, with the crowd moshing and slam dancing in tribute.
The newer material from “Supercharged” proved that The Offspring’s creative energy continues to burn brightly. Songs like “Make It All Right” and “Hammerhead” demonstrated that the band hasn’t simply been coasting on past glories but continues to evolve and push their sound forward. These tracks held their own alongside the classics, earning enthusiastic responses from fans who have clearly embraced the new album.
Notable moments of the evening included an extended drum solo during “Gotta Get Away” that showcased the technical prowess of the band’s rhythm section, and the emotional depth of “Gone Away,” during which the entire arena became a sea of swaying bodies and raised hands, singing along to every word of this moving ballad. The atmosphere was electric yet intimate, as thousands of voices united in a moment of shared emotion.
The final stretch of the concert was pure adrenaline. “Why Don’t You Get a Job” had everyone singing along to its infectious melody, before “Pretty Fly (For a White Guy)” unleashed chaos in the venue, with its instantly recognisable opening and humorous lyrics getting the crowd bouncing. “The Kids Aren’t Alright” reminded everyone of the band’s ability to blend catchy melodies with darker, more introspective themes, while “You’re Gonna Go Far, Kid” demonstrated their knack for creating modern punk anthems. The show closed with “Self Esteem,” a fan favourite that left the audience exhausted but exhilarated, singing the chorus at the top of their lungs.
Throughout the evening, the connection between The Offspring and their Polish fans was evident. The band fed off the crowd’s energy, and the audience responded to every power chord, every drum fill, and every word from Holland with enthusiasm. It was a reminder that punk rock is not just about the music but about the communion between band and fans, the shared experience of rebellion, energy, and joy.
The evening in Łódź demonstrated that The Offspring remain at the top of their game, delivering a punk rock performance that left the audience breathless and hungry for more. After such a return, Polish fans can only hope it won’t be another extended absence before the band graces their stages again. The Offspring proved that night that they are not just survivors of the punk rock era but are still champions, vital, and capable of delivering performances that newer bands can aspire to match.
Photos (c) Pawel Rychter
