Album review overview: Hamish Hawke, Shelby Lynne and more

Dozens of new albums arrive at Maxazine’s editorial staff every week. There are way too many to listen to them all, let alone review them. It ensures that too many albums are left behind. And that’s a shame. That is why today we post an overview of albums that arrive at the editors in short reviews.

Voodoo Kiss – Feel The Curse

Voodoo Kiss is a German band that plays traditional heavy metal. Founded in 1995, they quickly made a name for themselves in their home country, achieving cult status. In 2000, Voodoo Kiss called it quits. In 2022, the band reunited to perform in honour of 25 years of Summer Breeze Open Air, where they headlined the first edition. From the original lineup, guitarist Martin Beuther, bassist Klaus Wieland, and drummer Achim Ostertag are still part of the band. The trio is joined by vocalist Gerrit Mutz (Sacred Steel), who plays the role of Dr. Evil, and guest vocalist Steffi Stuber from the band Mission In Black, who plays the role of the perfect woman Dr. Evil wants to create. As you might have guessed, Feel The Curse is a concept album, as befits a good traditional metal album. Voodoo Kiss doesn’t intend to reinvent the wheel with Forever. Fans of music from the late ’70s to mid-’80s can confidently purchase Feel The Curse. Musical references include Iron Maiden, Pretty Maids, and even a hint of Motörhead, as heard in the track Dead Without A Grave. (Ad Keepers) (6/10) (Bertus)

Hamish Hawk – A Firmer Hand

Hamish Hawk presents A Firmer Hand, a bold follow-up to his previously acclaimed Heavy Elevator and Angel Numbers albums. This new work delves deep into personal confrontations, with lyrics that expose guilt, shame, and other unspoken emotions. Hawk describes the process as opening a closet full of skeletons, showing no hesitation in sharing his vulnerabilities. With tracks like Milk An Ending and Juliet As Epithet, A Firmer Hand focuses on the complexity of his relationships with men, from friends to family and lovers. Hawk views the album as a mature step in his musical career, presenting his inner struggles without filters. The result is a confrontational and intriguing album, underscoring his status as one of the most original voices of his generation. A Firmer Hand is a strong, personal exploration that challenges and captivates the listener. (Noman van den Wildenberg) (8/10) (So Records)

AWOLNATION – The Phantom Five

AWOLNATION’s sixth album, The Phantom Five, is set to be released later this month and is a dynamic mix of styles and influences. At times, it recalls the aggressive energy of the old Beastie Boys or Eminem, while also showcasing refined vocals and smooth melodies. This album is a collection of ten tracks that perfectly encapsulate the versatility and creativity of frontman Aaron Bruno. The album feels like a “greatest hits” collection, offering something for everyone who has followed the band’s evolution. This is fitting, as Bruno has announced that this will be the band’s final album. From the infectious Jump Sit Stand March, featuring a contribution from Emily Armstrong of punk rock band Dead Sara, to the popular Panoramic View, which has already amassed over 8 million streams, The Phantom Five continues to captivate. Bruno manages to strike a balance between powerful anthems and more introspective moments, as seen in I Am Happy, where Del the Funky Homosapien makes a standout contribution. With tracks like City Of Nowhere and Bang Your Head, AWOLNATION once again proves why they have remained relevant for over a decade. This album reflects the search for happiness in a chaotic world and demonstrates Bruno’s constant growth and adaptability as an artist. The Phantom Five is a fitting end for the band. It’s a shame they’re calling it quits… (William Brown) (8/10) (Better Noise Music)

Shelby Lynne – Consequences Of The Crown

Shelby Lynne’s new album, Consequences Of The Crown, is an impressive step forward in her musical development. The album sounds authentic and pure, something we have come to expect from Lynne given her rich and varied career. With influences ranging from country and blues to roots rock and Southern soul, Lynne has once again created an album that is both deeply personal and universally appealing. The opening track, Consequences, has all the makings of an iconic pop song. The vocals are beautiful, and emotionally charged, and showcase Lynne’s full command of her voice. It’s a song that lingers, not only because of its catchy melody but also due to the sincere emotion it conveys. Another highlight of the album is But I Ain’t, a song that seems to come straight from the heart. It has a hint of Duffy’s soulful sound while also evoking modern pop associations, like the Sugababes. This combination of styles keeps you listening and discovering new nuances, proving just how unique this album is. The beauty of Consequences Of The Crown is that it’s not simply good; it’s an album that stimulates your mind and invites comparisons, only for you to realize that this album stands in a class of its own. Shelby Lynne has delivered a masterpiece with this work, confirming her immense talent and her place as one of the most authentic and versatile artists of our time. Outstanding! (Jan Vranken) (9/10) (Monument Records)

Jah Thomas – Music Maker From Jamaica

The album Music Maker From Jamaica offers a great introduction to the work of Nkrumah “Jah” Thomas, a prominent figure in the reggae and dancehall scene since the 1970s. This best of album captures the essence of Thomas’ career, where he made his mark as both a deejay and a producer. Although the music is produced with minimal means, it exudes the relaxed and easy-going vibe that you would expect from this era. The album is a nostalgic journey back to the early days of dancehall, where the raw energy and creativity of the artists were central. In today’s polished music world, this album may not stand out, but it’s a fun collection for nostalgic parties or for those who want an authentic taste of Jamaican music. While not groundbreaking, it offers an honest look at an era and an artist who helped shape reggae. (Jan Vranken) (5/10) (Acid Jazz Acquisitions Ltd)